Show, Don’t Tell: An Appraisal of Milisuthando as a Text Written in Film
The director’s grounding in the principles of literature is immediately apparent. Milisuthando, the film, is structured over five chapters. Throughout, there’s an interweaving of devices, recurrent motifs, a playful use of cue and reference, supple vocabulary, and — most interesting in this genre of the personal essay — journalism’s mantras of ‘show, don’t tell’ and…