The NJE Collective's latest group exhibition opened at Gallery One11 last night and has as its focus its Womxn contributors and the themes i...
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Throughout the history of art, artists have appreciated the versatility that fabric possesses. Viewed as clothing, skin and a source of iden...
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“Would you be willing to suspend all your preconceived notions of what a heroine is supposed to be?” This question was directed at Nigeri...
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"Indian-Australian? Never felt that, never heard of that, never tasted that, never smelt that.*" These are the opening words of Sabella D...
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In a world of accessibility, erotica of every nature can be found with a keyword search on the internet. Sexual subcultures cannot be simpli...
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"I think it’s high time we start to address that dance, movement and embodied politics all form part of re-imagining and re-defining where, ...
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In a post-apocalyptic Ethiopian landscape, where Michael Jordan is enshrined, masked Nazi-clad bandits steal Ninja-turtle amulets, and witch...
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"I want my voice to be harsh, I don't want it to be beautiful, I don't want it to be pure." – Frantz Fanon * The foundation for this wri...
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When you are tucked comfortably into Johannesburg’s Northern suburbs, the word of inner city enclaves that accommodate you and your neighbou...
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Coloured identity has a complicated national, provincial and personal history (or histories) in South Africa. Mikhailia Petersen and Gemma S...
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Central Saint Martins art student Favour Jonathan is documenting her hairstyles in the most unconventional way - with the use of passport ph...
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Africa’s representation has been exhausting - it’s typically about poverty and her friends, disease, unemployment and corruption. From the W...
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