Photographer Kader Diaby’s sensitivity towards ephemera
A sullen look towards the camera, a veiled head….body painted in vertical lines along the edges…underexposure, a small fading —Kader Diaby’s series of photographs; Miria, iyé i yèrè gniniga evoke a deep gentle sadness. The Japanese have a term for this feeling; mono no aware —a transient sadness and a sensitivity towards ephemera. Miria, iyé…