Art - Bubblegum Club - Page 14

Writing as a form of existence

What is a revolutionary act? One that moves toward revolution? Towards the complete transformation of all that we know as our own certainties? The questioning of the unquestionable? The development of what has been forgotten — of what has been annulled? Who is a revolutionary? The one who subverts the determined concepts? The ones who…

Talking about walls: an interview with Speto

Landscapes of large centres are changeable — it is practically impossible for a city or urban centre to remain the same. It is always possible to question how certain representations and “behaviours” of a city reflect a society — its changes, improvements and details especially. I think of art as a reflection and form of…

Unfinished Camp | why mediate art?

“If we refuse centralisation we must go beyond the quantitative idea of rallying the exploited for a frontal clash with power. It is necessary to think of another concept of strength — burn the census lists and change reality.” At Daggers Drawn In the book Ten Fundamental Questions of Curating, Maria Lind poses the question;…

A set of impossible bouquets | Nabeeha Mohamed’s Brown Petal

Turning to flora for inspiration, Nabeeha Mohamed’s latest body of work Brown Petal brings together oil paintings and watercolours that are rooted in experimentation. Beginning with old works that the artist felt “didn’t quite work”, the new body of work breathes new life into old splinters and shards. Unwieldy combinations of blues, pinks, and browns…

‘Abangani bami – Izithombe zami’ (My friends – Images of me) | a self-portrait by Luyanda Zindela

Abangani bami – Izithombe zami” (My friends – Images of me), 2021, is a self-portrait by Luyanda Zindela that celebrates the shared intimacies, fragilities and sacredness embedded in close friendship. Through a series of carefully detailed portraits, the artist compels us to consider the act of friendship as a process of collaborative witnessing. This is…