I work with collages involving mainly the iconoclastic process of uprooting images from mass produced print media and proposing alternative realities through reconstruction of hallucinated images. My work is made with the intention to generate propaganda as a means to reject the certainty of the normal/ the reasonable often presented by hegemonic representations of ‘reliable…
A couple of years ago, I wandered through the quite obviously constructed industrial showroom of a high-end homeware store in Kramerville — an expansive space often sparsely filled with ludicrously expensive imported furniture pieces. The grey walls littered with drab black and white wildlife photography and commercially clinical Keith Haring and Picasso prints. Meandering up…
Over the past 8 years, Fak’ugesi has directed efforts to not only celebrate creatives using technology but to also create laboratories and programs that are meant to provide mentorship, advance skills and create global networks for African digital art and creatives. With the Fak’ugesi African Digital Innovation Festival at the forefront of the continent’s African…
Probably since the beginning of civilisation and definitely as early as I can remember, the question of who or what God is, where to seek God, and if there is even a God, has plagued my perilous human existence. The question of who, what, where and if, has been so impossible to definitively answer and…
I have spent the past year complaining about the figure. Okay, perhaps complaining is not the right word — being critical about the figure. Thinking about figures of life, figures that bewitch and figures that enrage. I approach the figure with suspicion — questioning why it is that so many faces of so many Black…
We’re made to believe that suffering is just a natural part of being who we are, and is a natural by-product of being a Black person – Timi Sotire For his directorial debut, in collaboration with A Joyful Project, Tobi Onabolu reads us a love letter to the inner child in every black person,…
“Improvisation is how we make no way out of a way. Improvisation is how we make nothing out of something.” Fred Moten, come on, get it! “Fugitivity, then, is a desire for and a spirit of escape and transgression of the proper and the proposed. It’s a desire for the outside, for a playing or…
What is a revolutionary act? One that moves toward revolution? Towards the complete transformation of all that we know as our own certainties? The questioning of the unquestionable? The development of what has been forgotten — of what has been annulled? Who is a revolutionary? The one who subverts the determined concepts? The ones who…
With African cultural exports like music, film and visual art rightfully taking space in global conversations about culture and the arts, there has been a boom of young visual artists from the continent and its diaspora experiencing well-deserved global acclaim. The young pharmacist in training and wonderfully talented mixed media contemporealist – Johnson Eziefula –…
Landscapes of large centres are changeable — it is practically impossible for a city or urban centre to remain the same. It is always possible to question how certain representations and “behaviours” of a city reflect a society — its changes, improvements and details especially. I think of art as a reflection and form of…
“If we refuse centralisation we must go beyond the quantitative idea of rallying the exploited for a frontal clash with power. It is necessary to think of another concept of strength — burn the census lists and change reality.” At Daggers Drawn In the book Ten Fundamental Questions of Curating, Maria Lind poses the question;…
Brünn Kramer’s Master of Fine Arts exhibition, Tronkvoël, opened at the RAW Spot Gallery of the Arts of Africa and Global Souths research programme in the Department of Fine Arts, at the University currently known as Rhodes in Makhanda on 12 March 2021. From 08 – 29 August 2021, the show which utilised the visual…
