From the most traditional to the most current, modern and complex, Brazilian art is made up of various names. There are those in museums like the Moma and the Tate to those exhibiting in fairs or small galleries around the world. Art is vast and it only takes a few words to make it recognisable…
There are some factors and concepts that make more and more sense in a post-colonial and especially post-slavery society. Remembering that we are still a long way from those societies completely, I can say that we are at the beginning of the journey. One of the most important factors for this change to happen is…
The term ‘machinima’ describes the use of real time computer graphics engines to create cinematic productions. Machinima is a portmanteau of the words “machine” and “cinema” and is one of the more practical examples of collaboration between technology and longform art. I came across this term and description as I was researching film director Sheetal…
There’s an age old expression which states that, “a picture can communicate 1000 words.” So often, our words fail us. Even more often, we as a people have been failed by words left unsaid. We as a people who have been pushed to the periphery or have had our histories written for us, if written…
*This essay forms part of Bubblegum’s Collaboration with Bag Factory and their visiting curator from Uganda, EM Mirembe. There are two types of rulers: the artist who provides and sustains the fundamental ideas, the foundation of society; and the political chieftain, who comes to power with the aid of his soldier and rich business brethren who merely puts…
How are we to understand the time we are living in? This essay is written in the present tense about a tense present. The present is indeed tense! It is Marked by racial injustice, fraught debates about identity, and a global pandemic. W.J.T Mitchell, Present Tense: Time, Madness and Democracy. We can speculate on the…
*This essay forms part of Bubblegum’s Collaboration with Bag Factory and their visiting curator from Uganda, EM Mirembe. Reader, writer and PhD candidate Mapule Mohulatsi reads R. Daniels‘ artwork The Dreamer, in Medindi Manor with meditations on wakefulness. This is about a sleeping, possibly dead, black woman I met at a Cape Town lodge where the…
What is time? A secret – insubstantial and omnipotent. A prerequisite of the external world, a motion intermingled and fused with bodies existing and moving in space. But would there be no time if there were no motion?… Time is active, by nature it is much like a verb, it both ‘ripens’ and ‘brings forth’….
From the northern hemisphere to the south, we all love stories, it is a part of our essence. Stories are the source for our need to know, to discover, to explore. Thinking about the lockdown we experienced in 2020 and the one we are still within this year, most of our time was spent with…
The last couple of years have had a disorienting effect on artists, curators and cultural producers alike. That being said, a sense of groundlessness and disorientation can in fact breed fertile ground for daring ideas to flourish. I learnt recently of a key piece of advice Ai Weiwei gives to the young generation of artists…
I feel like for a long time as Africans we’ve been under the rug with the influence that we’ve given the world. Now is a time when we’re saying, ‘No, we want to be seen. We want to be heard. And we want the world to know that we’ve connected everybody and everything did come…
There’s a beautiful thought experiment that writer and theorist Kodwo Eshun suggests we should undertake: “Imagine a team of African archeologists from the future—some silicon, some carbon, some wet, some dry—excavating a site, a museum from their past: a museum whose ruined documents and leaking discs are identifiable as belonging to our present, the early…
