The new Mzanzi Magic show Shaka ILembe opens slowly, transporting us into a time where it was tribe against tribe, and through narration, an age-old story is revived and given a fresh outlook and making it feel like stepping into a living, breathing historical era. The show has been advertised as South Africa’s biggest and most expensive production yet, and by committing to this feat, Mzanzi has brought to life an unforgettable historical drama that will usher in a new period in South African television and entertainment.
Instead of retelling the tale of Shaka, which many are familiar with, the hour-long series pilot, threw us into the unexpected love story between Princess Nandi (Nomzamo Mbatha) and Senzangakhona (Senzo Radebe). Nomzamo brings to life a young, quick-witted, and devastatingly beautiful Nandi to the series. Nomzamo Mbatha’s portrayal of Princess Nandi is a standout performance. She embodies Nandi’s resilience and determination, challenging societal norms and fighting for her own happiness. Senzo Radebe captures the conflicted nature of Senzangakhona, torn between duty and love. The chemistry between the two leads is palpable, adding an extra layer of emotional depth to the story.
Shaka ILembe sets a new standard for South African television with its groundbreaking cinematography. Set in KwaZulu- Natal, the creators of the show have taken us into the world of this story, through high-resolution views of an idyllic KwaZulu-Natal, the Drakenburg’s Mountains glimmer in a rich green, and every frame is a picture painted by cinematographer Zeno Petersen. The cinematography throughout the episode stands out as its own character, particularly the first time the viewer meets young Shaka. Pushed around and being bullied by a group of older boys, young Shaka is introduced as the underdog. But in a move that foreshadows the great warrior to come, Shaka reaches into a hive of bees and turns them against his bullies. While this scene is simplistic in its storytelling, it is a masterclass in showing and not telling. The cinematographer allows the audience to see and hear the urgent buzz of the bees. In this scene, The cinematography enhances the storytelling and serves as a powerful visual medium to convey emotions and themes throughout the series.
Every scene throughout the pilot creates a similar experience, Shaka ILembe is not only a fantastic watch because of the brilliant script, but also because of the world created through the camera lens. A simple shot of a centipede crawling over some dry rock, with a mirage gleaming in the background, reminds viewers of the heat, while vultures scurrying over an elephant carcass speak of the ongoing drought, a major plot point. From Hyenas, underwater shots, and masterful use and creation of light, every scene is a feast for the eyes. The use of natural lighting and the skilful framing of shots create a cinematic experience that rivals international productions.
The three tribes introduced in the pilot episode of Shaka ILembe bring unique characteristics and storylines, which intertwine seamlessly without feeling distracting. Each tribe is portrayed with depth and complexity, allowing the audience to become fully immersed in their individual journeys and struggles. The pace between each scene is well-balanced, allowing for moments of intense drama, tender romance, and intricate political manoeuvring.
Shaka ILembe is a monumental achievement in South African television. With its exceptional acting, brilliant directing, breathtaking cinematography, and meticulous set design, the show sets a new benchmark for historical dramas. The pilot episode introduces us to a world of captivating characters and interwoven storylines, showcasing the rich cultural heritage of the Nguni People. Shaka ILembe is a must-watch for anyone seeking an immersive and awe-inspiring television experience, and it undoubtedly deserves its place in South African television history as one of the greatest shows created.
